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中央舞台
发表于 2024-11-19 12:48
女巫 Le streghe (1967) 影片大小Size: 879M
影片描述说明:
 导演: 卢基诺·维斯康蒂 / 皮埃尔·保罗·帕索里尼 / 维托里奥·德西卡 / Franco Rossi / 莫洛·鲍罗尼尼
编剧: 莫洛·鲍罗尼尼 / 法比奥·卡尔皮
主演： 西尔瓦娜·曼加诺 / 安妮·吉拉尔多 / 弗朗西斯科·拉瓦尔
马西莫·吉洛蒂 / 维罗尼卡·旺代勒 / 埃尔莎·阿尔巴尼 / 克拉拉·卡拉马伊 / 玛丽卢·托洛 / 诺拉·里奇 / 迪诺·梅莱 / 赫尔穆特·贝格 / 布鲁诺·菲利皮尼 / 莱斯利·弗伦奇 / 阿尔贝托·索尔迪 / 托托 / 尼内托·达沃利 / 劳拉·贝蒂
类型: 剧情 / 喜剧 / 爱情
制片国家/地区: 意大利 / 法国
拍摄语言: 意大利
全球票房: $ xx 亿美元
票房: xx 亿
上映日期: 1967-02-22
片长: Germany: 121 分钟 / Spain: 120 分钟 / USA: 105 分钟
又名: The Witches / 女巫
 8.8 (20w)  7.0(138人)
 61(1085)
豆瓣ID: 1764808 / IMDB链接: tt0061037
发布时间: 9-11
最近更新: 9-11 22:32
©票房由[中央舞台]整理获取
猫眼观众评分：8.8分
20w以上人次评›
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豆瓣评分：查看影评详情 ›
7.0
138人评 »
【女巫】 的剧情简介:
是一部有五篇独立小故事的合集。
"The Witch Burnt Alive"
After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
"Community Spirit"
Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
"The Earth Seen from the Moon"
The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
"The Sicilian"
Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
"A Night Like Any Other"
Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be. （ 影片获奖资料与票房 By：cnnvn）
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